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Michael Harding oil colours offer the greatest possible coverage, with brilliant, vibrant and true colours.The consistency is creamy, buttery, easy...

This is not just another primer! After many years of talking to artists and listening to their needs, Michael Harding has specifically formulated t...

A light coloured linseed oil that will yellow less over time in comparison to less refined oils. Produced using cold pressed Linseed oil that is th...

PW 6 & PW 4 | Slow drying time | Very Opaque | Very Low oil content. Titanium White number 1 is the most brilliant white in the Michael Harding...

Genuine Portugese Maritime Turpentine.

A light coloured oil used as an alternative to Linseed oil in painting mediums.

A thicker, more viscous Linseed oil used in high-gloss, slow-drying painting mediums. Indispensable for glazing and blending mediums.

PW 6, PW 4 & PY 42 | Average drying time | Very Opaque | Low oil content

Michael Harding Oil colour is widely considered to be the best British made oil paint available, and by some the best Oil Paint available world-wid...

Michael Harding Oil Painting Medium is designed to enhance the pigment in such a way that it has increased depth and transparency. Oil painting med...

Michael Harding Beeswax Medium is a high oil content paste made from linseed oil and bleached beeswax. This medium acts to increase the body of the...

Michael Harding Oil Painting Medium is designed to enhance the pigment in such a way that it has increased depth and transparency. Oil painting med...

This is a final picture varnish for use when a painting is fully dry (6-12 months for thinly painted oils). It creates a subtle gloss finish and sh...

Michael Harding Dammar Glaze Medium is a traditional medium that creates depth and gloss to transparent colours. The added cobalt siccative speeds ...

Bright and clean, the oil with the lightest colour. Can be used in painting mediums to reduce the yellowing caused by using Linseed oil. Note, saff...

Michael Harding Dammar Glaze Medium is a traditional medium that creates depth and gloss to transparent colours. The added cobalt siccative speeds ...

Poppyseed oil is used particularly with whites and light blues for its non-yellowing nature as a medium. It is a slower drying oil with a paint fil...

Michael Harding Balsam Resin glaze medium is an historic painting medium that is based on Austrian Larch Turpentine (Otherwise known as Venice Turp...

Michael Harding Resin Oil-Wax Medium is a soft painting paste made from a mixture of bleached, pure beeswax fused with Dammar Resin and Linseed Sta...

This is a final picture varnish for use when a painting is fully dry (6-12mnths for thinly painted oils). It will create a permanent protective coa...

PREVIOUSLY CALLED MICHAEL HARDING REFINED PORTUGUESE TURPENTINERefined Gum Turpentine is a colourless solvent distilled from pine sap. It is used t...

Michael Harding Oleo-Resin Medium is a historic glaze medium based on light coloured Canada Balsam fused with Dammar Resin and Linseed Stand Oil. I...